WHAT DLL IS ANTARES MIC MODELER MOD

SO.without spending a lot of money.you should be able to take an SM57, and use a compressor, and get the sound you're looking for.if you've got Antares Mic Modeller, there's a neat little 'tube' setting you can adjust to add in fake tube distortion.and they might have a D19 listed, so turning an SM57 into a D19 shouldn't be too much of a stretch to emulate.probably won't notice the difference.and if you raise that little 'tube' setting on the bottom, you should get what you're looking for. Mic Mod EFX is a modern incarnation of Antares Microphone Modeler plug-in introduced in 2000. wouldn't mind having a wall of this kinda stuff to play 's tube-driven, and they said they 'drove it a little hard'.so they probably cranked the level a bit coming in to get some tube distortion.I ALMOST said to add a little distortion into the sound, but I thought that was the dynamic mic I heard.I knew I heard some 'grit' in there.gotta learn to trust my instincts. that one is DOA and 'as is'.so dont buy it unless you can fix it.this is the Telefunken issue of the same thing. The Mic Modeler boasts over 90 microphone models and is now available in native formats including, DirectX, RTAS, MAS and VST. I'd buy one for the hell of it if I had any money, but I'm very broke at the moment, so.I found one on Ebay for ya: frequency response upto 16k, sm57 is 15k>.

dllShowSellerFAQ& iid184093931944& requested. So we were right, mostly.dynamic mic which without hearing it, or knowing it, has similar specs to a 57. Shop Power Supply Adaptor ENT5148 for Antares AMM-1 Microphone Modeler online at a best price in Ghana. *Sorry I didn't mention the compression bit in the last post, I got caught up in talking about the mic You could always just normalize the entire thing after, but I'd say get the output gain right below clipping and then normalize it after (the reason it might be dropping into the background is you're losing the attack portion of the sound, and/or you're not raising the output gain of the compressor plugin. or just try and compress the whole thing at like -36db or so for threshold, and a ratio of 10:1 or MORE, to squash the entire sound.and crank the output.and see what that sounds like.but I think doing seperate compression on the different parts of the sound envelope is the ticket for that kinda sound. Compressing it will give it that plucky kinda sound.just guessing, but you could try setting the compressor to just capture the attacks of the hammers, and do those at like 8:1 or so.and then raise the output gain a lot, so you'll be getting a lot of hammer and not as much sustain.and then re-compress the sustain part of the sound differently.for the hammers, set the attack as fast as you can without getting artifacts with your plugin, and then tweak the release until you're getting as much hammer sound as you want. I'm a big believer in getting the signal sounding right at the source, but this can be a helpful plug-in if you want to add some warmth to your sound if you aren't happy with what you did. Re-record it with a dynamic mic like a 57 that doesn't have a high frequency response over 13k or so.that'll give you the tone you want. I've been using the Antares Systems Microphone Modeler for about five years and while it is a nice plug-in to have around, it isn't essential to anyone's set up.

What dll is antares mic modeler